
Tonight while in the middle of updating this thing I stepped out to catch The Little Ones set at the Prospector.
If you are familar with the Prospector you know it holds about 40 people comfortably and can squeeze maybe 50 or so in on a busy night, tonight the bar was on the uncomfortable side. The Little Ones played first, perfect for the Tuesday following Labor Day, where most people I suspect are still trying to catch up on sleep after their Memorial Day weekend activities.
Playing songs from their recently released Sing Song EP, The Little Ones filled the room with a full tight sound that reminded this listener of The Shins mixed with a little Neil Young, Mates Of State, and early Built To Spill. Comprised of former members of Sunday’s Best and brothers-singer/guitarist Edward and bassist Brian Reyes’, keyboardist Lee LaDouceur, drummer Greg Meyer and second guitarist Ian Moreno, The Little Ones sound is perfectly rounded out through the use of some pop music instrument staples. Spotted was a Rickenbacker guitar, Hofner Bass, vintage keyboard (didn’t catch the brand) and standard Fender Telecaster, and a various array noise makers.
This was their last Southern California performance for the time being, they are heading to NYC to play the Bowery Ballroom on July 1st and will begin a Monday night residency at Spaceland in August. For a little more insight into this young band, check out Radio Free Silver Lake and Cakes and Waffles to read a couple short interviews.

Darker My Love who recently signed to Dangerbird Records have announced that their full length debut will be released on August 22nd. The band recently had to cancel a high profile show with Angels & Airwaves due to their drummer Andy Granelli getting hit by a car while riding his bike. Though the band hasn’t canceled their performance at the KXLU Fundrasier on June 11th and should be good to go for their July Monday night residency at Spaceland.
Camera Obscura tour dates and mp3 [The Tripwire]
Street Scene 2006 lineup announced [Autopia Music]
Spoon added to Death Cab For Cutie California shows [Pitchfork]
Pete Yorn announces summer acoustic tour [I Am Fuel, You Are Friends]
Sound Team headliner tour dates [Metro Distortion]

Who are Whale Bones? The mysterious band that is the opening act on the Pretty Girls Makes Graves tour this June.
Whale Bones are loose knit group of musicans that are led but Justin Deary and Jon Treneff and includes Ben Cissner and Kenneth Carl Gates. They play folky psyched out blues jams that can most closely be compared to Black Mountain.
Seattle’s The Stranger had this to say about Whale Bones, “the band pulls from Neil Young and other assorted dirty groove-oriented acts, formulating a soulful, pastoral sound all their own—a spell they help bind with some especially lysergic guitar and keyboard parts and extended improvisations.”
Justin Deary is a Seattle musician that played with Rocky Votolato in Kentucky Pistol before Rocky moved on to from Waxwing. Kentucky Pistol released a split 7″ with Sharks Keep Moving on Henrys Finest Recordings. Justin also released a 2 song 7″ as part as the Redwood Acoustic Series, it now out of print.
Ben Cissner played in Windsor For The Derby from 2002 to 2004 on the albums, The Emotional Rescue and We Fight Til Death, respectively. Cissner is also involved in another even more mysterious project called, Mother Reptile.
In yet another Pretty Girls Makes Graves connection, Whale Bones did a West Coast tour with Dutch Dub and Moon Rats in September last year. Dutch Dub is Nick DeWitt’s (PGMG drummer) solo project and Moon Rats is Nathan Thelan’s (ex-PGMG guitarist) new band with girlfriend Aska Matsumiya and Jason Echeverria.
During that tour the Moon Rats performed double-duty as Nick’s backing band for Dutch Dub and Nick played with Whale Bones, who at the time had Steven Balogh (Baron Samedi ESQ, Pink Mountaintops, Anemones, Capozzi Park, The Countless Jibes) touring with them as Ben Cissner had yet to join the band.
Was that confusing enough? Well that only scratched the surface of numerous connections that could be made between these musicians and this small sampling of Pacific Northwest bands.
You can listen to 3 Whale Bones tracks on their MySpace page.
Whale Bones play Anaheim May 29th @ Chain Reaction as well Pomona on June 2nd @ The Glasshouse and Los Angeles on June 3rd @ the Troubadour with Pretty Girls Make Graves

Are you tired of reading about Whirlwind Heat yet? If you are, go ahead and skip to the next post and bypass this weekend’s festivities in Long Beach, no not the Gay Pride Parade, the Neighborhood Music Festival brought to you by Dimmak and a bunch of other dudes.
Whirlwind Heat are definitly the hot act to catch at the festival (especially now since Cold War Kids have canceled), and we at IAF agree with the OC Weekly that headliners Moving Units and IMA Robot are so 2003, not that there is anything wrong with that.
Whirlwind Heat next will embark on a nationwide tour in support of their new album “Types Of Wood” with youngsters Be Your Own Pet.
Download Reagan from “Types Of Wood” and check out a few more tracks on the band’s MySpace page.
Whirlwind Heat play Long Beach tomorrow for the Neighborhood Music Festival @ Queen Mary Park and then in Pomona on June 25th @ the Glasshouse and Los Angeles on June 27th @ the Troubadour.
Hailing from the Tucson, AZ, home of University of Arizona and the only Titan II Inter-Continental Ballistic Missile launch silo left intact in the U.S. (according to Go-Arizona “thanks Cold War”) - Calexico is a band whose sound I would best describe as a less apocalyptic, and more rural version of The Blackheart Procession (they happen to even be touring together). Formed in the mid 90’s by Joey Burns and John Convertino, Calexico plays a unique blend of indie/folk/jazz/mariachi rock that is marked by an authenticity absent from many of the recent rock gone folk bands.
Their latest album “Garden Ruin” on Quarterstick is their 7th release, and though the jazz/mariachi infusion that has stood out on past albums is somewhat muted on “Garden Ruin,” many of the songs boast a great mix of acoustic, electric, piano, strings, and more…
Download Cruel off “Garden Ruin” and get a couple other cuts from their prior albums on their MySpace page.
Calexico play Los Angeles on June 13th @ the Henry Fonda Theatre
Polus who I have written about before have since lost founding member and former Eskimo guitarist, Richard Tampa, played their first show the other week at Deelux in Costa Mesa and yesterday announced that they are entering the studio today to begin recording a proper demo.
Now a 3-piece Polus has also lined up a couple more shows in May at the Plush Cafe in Fullerton on May 24th and the Knitting Factory in Los Angeles on May 31st.
For now download the 3 demos the band has offered up via their MySpace page.
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Blackstrap - Steal My Horses and Run

Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.
At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.
...continue reading » -
Triclops! - Out Of Africa

Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.
Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.
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Princeton - Bloomsbury EP

Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.
...continue reading » -
Otis Blue: Otis Redding Sings Soul - Collectors Edition

Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.
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The Heavy - Great Vengeance Furious Fire

heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…
Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.
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The Black Keys - Attack and Release

It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.
...continue reading »
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Where in Long Beach is your band most likely to be found when you aren’t playing a show? Dan Cady (vocals): Alex’s Bar or the Pike—Alex was our original bass player so we just hang out there. It’s just kind of home base for us. And the Pike becau - Last Night: The Muslims, Crash …
This is cool: UCI student, Sam Farzin, has started to put on music shows at the UC Irvine’s The Phoenix Grille, one of the campus’ dining spots. Located in what one of the members of Wounded Lion described as “the anus” of UCI (you have to twist a - Last Night: The Henry Clay Peo …
My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L - Last Night: Soft Hands, The Yo …
While at The Prospector last night, some friends and I were discussing how the venue has really been on its game as of late, consistently hosting the best shows Long Beach has to offer. It is pretty much guaranteed that any night of the week you can walk - Last Night: Baroness and The R …
Ahh, the Showcase Theatre. I hadn't been there in almost seven years. The Showcase was the club that I started going to shows at when I was in high school, back then they had all the best punk rock acts that were coming through town, unlike today. These d
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