
Who: The Parson Red Heads
What: Free
When: First three Mondays in December
Where: The Echo
MP3: Punctual As Usual

Who: Lemon Sun
What: $5
When: First three Tuesdays in December
Where: The Echo
MP3: Through These Doors

Who: Delta Spirit
What: Free
When: First three Mondays in December
Where: Spaceland
MP3: Motivation

Who: Briertone
What: Free
When: First three Mondays in December
Where: Detroit Bar
MP3: Cheers

To tell you the truth I have not been this excited about going to see a band play in a long time, I mean, December 8th can’t get here fast enough as far as I’m concerned. That is when The Love Me Nots from Phoenix come back to Los Angeles to play at the Lava Lounge.
Formed less than a year ago, The Love Me Nots, have been gaining a steady following in the online world as well as being embraced by the local Arizona weeklies, two of which have already put the band on their cover, even though they have only played a handful of shows. At the end of August the band went to Detroit and recorded “The Love Me Nots in Black & White” with Jim Diamond (The Dirtbombs, The White Stripes, The Gore Gore Girls) which will be available online and at shows beginning December 2nd.
Their self described spy-fuzz-surf-gogo sound is complemented nicely by a tight well put together image that recalls The Hives “Veni Vidi Vicious”, from their outfits down to their album packaging.
Download Move In Tight (mp3) and Voice In My Head (mp3) from the forthcoming album, and then try to tell me these songs don’t get stuck in your head.

Listen, if you aren’t too exhausted or so fat you can’t move from your holiday festivities, make it a point to get on over the the Scene Bar in Glendale to see Nebula tonight.
Formed in 1997 after vocalist/guitarist Eddie Glass and drummer Ruben Romano left Fu Manchu, Nebula took a more seventies psychedelic approach to their brand of rock than their former desert rock band did. Now on Liquor and Poker Music, Nebula recently released their 9th album (their 2nd on Liquor and Poker, prior to this they released 2 albums on Sub Pop), Apollo, and have since abandoned some of the psychedelics which so noticeably set them apart from their former bandmates, and have instead opted to crank out some driving rock that’s more along the lines of Sweden’s, The Hellacopters.
Download Fever Frey (mp3) and Lightbringer (mp3) courtesy of Liquor and Poker and Nebula. Both tracks are from “Apollo” that you can pick up at insound!
Many more mp3’s can be found on Nebula’s album page on their website.

Black Fur is Shanna Kiel’s (of Sullen fame) new band out of Los Angeles. Shanna recently released a solo album called “Orphan” that she recorded in Chicago with Scott Lucas from Local H. Since recording the album she put together Black Fur and took the new songs on the road opening up some west coast shows for the The Hold Steady on most recent tour.
Shanna and Black Fur can best be compared to Courtney Love and The Distillers, it’s familar, but completely original. If you listened to her old band Sullen, then you know what you are in for. Download Sharpen The Dull (mp3) and listen to some other songs from “Orphan” as well as some new/unreleased tracks on Black Fur’s MySpace page.
Black Fur play a last minute show tomorrow (11/21) at BB King’s at the Universal City Walk, the show is all ages and Black Fur go on 10:45.
UPDATE: Black Fur have been added to the Pearls & Brass show at The Scene Bar on December 4th, they go on at 10pm, get there early.

Washington DC’s French Toast opened a couple shows for Wilco earlier this year as they were getting set to enter the studio to record their second full length, “Ingleside Terrace”, and whether it was intentional or just happenstance, a little bit of Wilco definitely rubbed off on these gentlemen. Released on October 8th on Dischord, “Ingleside Terrace” is a jangly pop record that’s majority of songs conjure up comparisons to Tweety and Dylan, a pretty large departure from their earlier work on “In A Cave” and “Bug Man”, both of which relied more heavily on post-punk guitar work and chilly electronics.
Comprised of a who’s who of members from legendary bands such as The Make Up, Nation of Ulysses, Cupid Car Club, All Scars, and Small Doses; French Toast is James Canty, Jerry Busher, and Ben Gilligan.
Currently on tour with These Arms Are Snakes, French Toast play Spaceland this Sunday (11/19), you can download Took You For Strong (mp3) from “Ingleside Terrace”, courtesy of Southern Records.

Patient they have been, since releasing their self-titled full length debut in 2004 and making a name for themselves around LA and abroad, Midnight Movies went into a pretty long hibernation during which the band lost and gained new members (including getting Gena out from behind the drum kit and up front where she belongs), writing a new record, and changing record labels.
And just as recently as a two weeks ago, we the fans who have been also waiting patiently for new material were treated to the release of their first single, “Patient Eye” from their forthcoming album entitled “Lion the Girl” which will be released this coming March. The single was released digitally (though 7″s and CD singles will be available at their live shows) and includes three tracks; Patient Eye (edit), Golden Hair (Syd Barrett cover), and Patient Eye (LP version).
Patient Eye is a dark haunting track that showcases Gena Olivier’s Nico-esq vocals over a Ladytron-ish sans big synths instrumentals. Download Patient Eye (mp3) and if you are in the LA area, check out the Midnight Movies tomorrow (11/17) at Spaceland for their single release party and on Saturday (11/18) at The Prospector in Long Beach.
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Blackstrap - Steal My Horses and Run

Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.
At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.
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Triclops! - Out Of Africa

Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.
Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.
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Princeton - Bloomsbury EP

Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.
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Otis Blue: Otis Redding Sings Soul - Collectors Edition

Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.
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The Heavy - Great Vengeance Furious Fire

heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…
Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.
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The Black Keys - Attack and Release

It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.
...continue reading »
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This is cool: UCI student, Sam Farzin, has started to put on music shows at the UC Irvine’s The Phoenix Grille, one of the campus’ dining spots. Located in what one of the members of Wounded Lion described as “the anus” of UCI (you have to twist a - Last Night: The Henry Clay Peo …
My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L - Last Night: Soft Hands, The Yo …
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Ahh, the Showcase Theatre. I hadn't been there in almost seven years. The Showcase was the club that I started going to shows at when I was in high school, back then they had all the best punk rock acts that were coming through town, unlike today. These d
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