I’m not one much for lists, it’s lazy journalism (Blender Magazine, I’m looking at you), but since ’tis the season for end of the year lists for songs and albums, here ya go. Honestly don’t think I could quantify my appreciation for a work of art by giving it a numerical value, so below are the albums that found myself I listening to over and over again. I covered every band below on IAF at one time or another, except for Crash Gallery who have yet to leave Austin, TX.
Oh, and these are in no particular order.
The Hold Steady “Boys and Girls in America” | Chips Ahoy (mp3) | Website
Comets On Fire “Avatar” | Dogwood Rust (mp3) | Website
Crash Gallery “5 Song EP” | What A Temper (mp3) | MySpace
The Marked Men “Fix My Brain” | A Little Time (mp3) | Website
The Love Me Nots “In Black and White” | Move In Tight (mp3) | MySpace
Vaux “Beyond Virtue, Beyond Vice” | Never Better (mp3) | Website
I’m pretty sure that my list differs greatly from most, and I’d say that the only thing I agree on with most of mp3 blogger community is that The Hold Steady made one kick ass album, though Duke doesn’t agree there, make sure you check out his list of Top 10 Hipster/Music Snob Records that Didn’t Resonate With Me in the Year 2006, it’s great.
Not one to talk shit on here, but Muse’s “Black Holes and Revelations” was the biggest piece of shit disappointment of the year. God it’s horrible, I can’t even listen to one song on there, especially that one that is all over the radio, Knights Of Cydonia.

Caught Against Me! at the Key Club last night for the Wheels For Humanity benefit show, it was the first time I had ever seen them, and they definitely lived up to the praise that friends have been giving them for quite some time now. Watching guitarist/singer Tom Gabel last night, I couldn’t help but draw comparisons to Joe Strummer and Billy Bragg. Lofty comparisons, I know, but they ring true. This is a man that has something to say, his performance is passionate, from the gut, and you can’t help but be drawn into the band’s music.
The band is in Los Angeles recording their major label debut for Sire Records with Butch Vig. Their current release out right now is a live album called, “Americans Abroad!!! Against Me!!! Live in London!!!”, which you can download two tracks from courtesy of Fat Wreck Chords.
Sink, Florida, Sink (mp3)
Pints of Guinness Make You Strong (mp3)

In a perfect world I will be able to get off work at decent hour tonight, hit Best Buy with the girl for some Christmas shopping, cruise by Fingerprints to catch an acoustic set by Silversun Pickups and then continue on my way up to the Echo to catch The Parson Red Heads. It’s gonna be tough, especially since Sleeper Cell is new every night this week.
Riding high from a year that has seen Silversun Pickups rocket past being a local darling to a gaining tons of national attention and showing no signs of slowing down in ‘07. Catch Silversun Pickups as we near the end of the year and before they close it all out with back-to-back shows at the Troubadour this weekend. This in-store started off as a solo acoustic set from singer Brian Aubert, but is looking like it will be a full band deal. It all goes down at 7pm tonight, I recommend getting there early, as I drive past these instore events all the time and there is usually a line around the block.
Tonight is also my pick of the best night to catch The Parson Red Heads at their Echo residency, as they will be accompanied by two other great Los Angeles up and comers, The Airborne Toxic Event and I Make This Sound. Should be a great night.

I was intially turned onto The Airborne Toxic Event by either Radio Free Silver Lake or LA Underground, I don’t remember and it’s not important, what is important though is The Airborne Toxic Event is playing at the Echo this coming Monday with The Parson Red Heads on their free residency night.
Detecting influences from The Smiths and The Cure that give the band a UK feel mixed with Modest Mouse that give them a California shine, The Airborne Toxic Event write tight little pop numbers with nods to the literary and cinematic worlds that inspire them.
Together for less than a year The Airborne Toxic Event have only just begun playing live, though the shows they’ve secured already make you wonder just who they know. Their first show was at the Echo, followed by a trip to New York for CMJ, and back in California at Spaceland and an instore at Sea Level. Regardless, reviews of their live show have been stellar so far, those who have seen it find it hard to believe they are a new band.
The Girls in Their Summer Dresses (mp3)
Does This Mean You’re Moving On (mp3)
Download two more tracks from their MySpace page.

Odds are you have already read something about Matt & Kim today, and as much as I hate to write posts on bands that are already being extensively covered on other blogs, I have to express my dismay in having to miss Matt & Kim’s show in Los Angeles this Saturday (12/9) as it is the same night as my company Christmas party.
And as I’m sure you who is reading is just as busy as I am, but if for some miraculous reason you do not have plans yet for this Saturday, I highly recommend heading downtown to witness and take part in a Matt & Kim show. One look at their photos from their NYC shows and their music videos, it is easy see to energy and shear enjoyment on the band and the audience’s faces as they perform.
Yea Yeah (mp3)
No More Long Years (mp3)
Matt & Kim play @ 1269 E. 6th St. (Downtown), the show is all ages and begins at 9pm with a $3 suggest donation at the door for the bands. If you are tired of seeing LA shows with a crowd of crossed arms hipsters and annoying chatty chicks who can’t shut up during a band’s performance, GO TO THIS SHOW!
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Blackstrap - Steal My Horses and Run

Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.
At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.
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Triclops! - Out Of Africa

Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.
Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.
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Princeton - Bloomsbury EP

Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.
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Otis Blue: Otis Redding Sings Soul - Collectors Edition

Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.
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The Heavy - Great Vengeance Furious Fire

heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…
Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.
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The Black Keys - Attack and Release

It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.
...continue reading »
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