Not really sure what this is, but it’s French. Does that say enough? All I know is it kicks ass, check out her MySpace page to start your trip.

When I first heard these two lines in the chorus of Girls by Eleni Mandell’s, I am the dice you roll in the alley / I am the pennies that come in handy, I knew I was going to love her new album called “Miracle of Five” (available next Tuesday Feb. 6th).
“Miracle of Five” was recorded with a varitable who’s who of support players from some of the last decade’s most critically lauded acts, including Wilco lead guitarist Nels Cline, X drummer DJ Bonebrake (who plays vibes here), her longtime rhythm section of drummer Kevin Fitzgerald and bassist Ryan Feves, reed player Jeff Turmes (James Harman, Badly Drawn Boy), keyboardist Andy Kaulkin (Merle Haggard, R.L. Burnside), who also produced. But it is really Mandell’s lyrics here that instantly grab you and bring you in as she weaves introspective personal and narrative tales of her life experiences.
Fans of Emily Haines solo release “Knives Don’t Have Your Back” and Amy Winehouse’s work should take notice of Eleni Mandell and do themselves a favor and pick “Miracle of Five” next week and if you are in the Los Angeles area, check her out at The Echo on February 8th.
Download Girls (mp3) from “Miracle of Five” which you can buy it at insound next week.

Ever since reading about Sunsplit on Can I Get A Receipt back in September last year, I have been anxiously awaiting for anything new from the band, whether it be songs, tour dates, or hell, I’d take just some plain old news.
From what I can tell the only thing officially released by the band is the song The Need on the Psyilocybin Sounds comp, All In The Mind. Though I was able to track down one other track from the band called All I Want (download below), which may or may not have been recorded in Scotland, as you can tell, information on the band is very scarce.
What I do know is Sunspit currently reside in Philadelphia after recently relocating from Oakland and the band at it’s core are newlyweds Ryan and Aislinn. Other than that, I’ve got nothing. The band has a total of four songs up on their MySpace page, including the two mentioned above and two apparently newer tracks, one of which is called Running After You that I can’t get enough of, and wish everytime I hear it that I could take it with me.
All I Want (mp3) from the album “Sing For Sunday”, though I have no idea where you can buy it.

Maybe you don’t know about the Dillinger Four, but you should. Of all of the bands that could be lumped in with the Fat Wreck Chords and Epitaph sound of the late ’90’s, Dillinger Four are one of the few stand outs whose songs still stand the test of time of a listener who has long since packed away most of his albums from the aforementioned labels and time.
A band that rarely tours and has only three proper full lengths, a live album, and compilation of old songs from 7″’s, splits, and other comps, Dillinger Four have created a fanatical following in the punk rock community, as I witnessed this weekend in Vegas at Punk Rock Bowling, where every person I talked to said that their performance was the thing they were most looking forward to this weekend.
With the impending release of a new album entitled, Civilwar, lucky fans across the country may just get blessed with a Dillinger Four tour in 2007, but don’t hold your breath.
Download a track from each of their prior albums courtesy of Hopeless Records and Fat Wreck Chords.
Q. How Many Punks Does it Take to Change a Lightbulb? (mp3) from “Versus God” buy it at insound!
Doublewhiskeycokenoice (mp3) from “Midwestern Songs of the Americas” buy it at insound!
Noble Stabbings!! (mp3) from “Situationist Comedy” buy it at insound!

I was perusing the world music stacks at Ameoba a couple months ago when Boogaloo Pow Wow caught my eye, without knowing anything about it other than the kids in the picture seemed pretty cool, I picked it up. Upon listening to it I was introduced to a whole new world of late 60’s era latin soul, called boogaloo, a short lived music trend that grew out of Puerto Rican and Cuban neighborhoods of New York City.
With further investigation I was able to track down some more albums by the many salsa artists who released a boogaloo album during the trend’s high point. In tracking down these other albums I also came across some great blogs and podcasts* who introduced me to these artists as well as some amazing r&b and soul performers, who’s tracks are interspliced into this intoductory podcast. There are also two current artist’s tracks in the podcast because their songs fit in so seemlessly with these other songs from some almost 40 odd years ago.
Mixtape 001 Latin-Soul-Rock-Boogaloo:
NF Porter - Keep On Keeping On
Mongo Santamaria - We Got Latin Soul
Tito Puente - Hit The Bongo
Orchestra Harlow - Freak Off
The (International) Noise Conspiracy - Born Into A Mess
The Joe Cuba Sextet - Do You Feel It
Joe Bataan - Subway Joe
Willie Rosario - Shining Knight
Amy Winehouse - Rehab
Hector Rivera - I Want A Chance For Romance
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* Fistful of Ganas, Solid State Deluxe, Funky 16 Corners, The A Side, The B Side

This 16 member Athens, GA blues-rock-jazz-punk band released their first album last year called Universal Indians, which Flagpole Magazine called “cathartic, swaggering, optimistic, completely mad and uninhibited” and named the band their #1 favorite local band. Universal Indians released via Cloud Recordings is like a drunken Southern Thanksgiving house party/backyard bbq that somehow remains cohesive enough for 11 continuous songs to be called an album, while retaining a looseness that you would expect from a 16 piece rock band.
Download two tracks below from Universal Indians and hear more on the band’s MySpace page.
Angel Of Meth (mp3)
Dead Man (mp3)
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Blackstrap - Steal My Horses and Run

Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.
At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.
...continue reading » -
Triclops! - Out Of Africa

Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.
Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.
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Princeton - Bloomsbury EP

Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.
...continue reading » -
Otis Blue: Otis Redding Sings Soul - Collectors Edition

Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.
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The Heavy - Great Vengeance Furious Fire

heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…
Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.
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The Black Keys - Attack and Release

It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.
...continue reading »
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Where in Long Beach is your band most likely to be found when you aren’t playing a show? Dan Cady (vocals): Alex’s Bar or the Pike—Alex was our original bass player so we just hang out there. It’s just kind of home base for us. And the Pike becau - Last Night: The Muslims, Crash …
This is cool: UCI student, Sam Farzin, has started to put on music shows at the UC Irvine’s The Phoenix Grille, one of the campus’ dining spots. Located in what one of the members of Wounded Lion described as “the anus” of UCI (you have to twist a - Last Night: The Henry Clay Peo …
My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L - Last Night: Soft Hands, The Yo …
While at The Prospector last night, some friends and I were discussing how the venue has really been on its game as of late, consistently hosting the best shows Long Beach has to offer. It is pretty much guaranteed that any night of the week you can walk - Last Night: Baroness and The R …
Ahh, the Showcase Theatre. I hadn't been there in almost seven years. The Showcase was the club that I started going to shows at when I was in high school, back then they had all the best punk rock acts that were coming through town, unlike today. These d
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