Inflight At Night

LA / LBC / OC

Enter to win a pair of tickets to see The Duke Spirit at The Echo on Wednesday March 5th

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The Duke Spirit deserve to be a lot bigger band in the US than they currently are, and hopefully with the release of their new album Neptune, they will become just that. Out already on iTunes and in stores on CD/LP on April 8th via Shangri-La Music, Neptune is as close to a perfect album as it gets (stream it here).

To enter to win a pair of tickets to see The Duke Spirit at The Echo next Wednesday (3/5), just tell us which planet you would travel to if they let you on the space shuttle.

CONTEST NOW CLOSED

Wednesday, March 5th: The Duke Spirit w/Afternoons @ The Echo | $12 | 18+ | 8pm

Enter to win a pair of tickets to see Howlin Rain at Spaceland on Wednesday March 5th
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Howlin Rain’s new album Magnificent Fiend hits store shelves this coming Tuesday via American Recordings and Birdman Records. Led by Ethan Miller (Comets On Fire), the man and his band are a site to be seen. Miller, an incredible vocalist and guitarist, belts it out and spazzes out while shredding crazy solos.

If you missed Howlin Rain a couple weeks back when they opened for Black Mountain at the Troubadour or their secret last minute set at Que Sera in Long Beach, YOU REALLY NEED to go to Spaceland on Wednesday (3/5).

And hey you’re in luck, ’cause we’re giving away a couple pairs of tickets. To enter all you have to do it tell us who your favorite “classic” rock band is.

Download “Dancers At The End Of Time” (mp3) from Howlin Rain’s new album Magnificent Fiend.

CONTEST NOW CLOSED

Wednesday, March 5th: Howlin Rain @ Spaceland | $10 | 21+ | 9pm

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Orange Sunshine, the early Blue Cheer worshipping Dutch 3-piece named after a particular kind of LSD from the mid-1960s known for it’s orange color, and supplied by The Brotherhood of Eternal Love a southern California-based LSD commune, will hit Los Angeles this weekend.

Formed in a squat in The Hague, Netherlands in early 1999, Orange Sunshine have spent close to a decade honing their 60’s raw psychedelia infused blues rock n’ roll and capturing it on tape using instruments and recording techniques that are the most true to the era they strive emulate. Hell the band even managed to put one over on many record collectors with their first release when they said it was from an excavated acetate from an obscure ’60’s group.

Orange Sunshine play White Slave Trade (122 Glendale Blvd in Echo Park) tonight (2/29), at the Scene Bar on Sunday (3/2), and in Long Beach at Que Sera on Monday (3/3). All shows are with San Francisco’s Dzjenghis Khan.

Download “Balls Knockin” (mp3) from Orange Sunshine’s 2006 release, Bullseye of Being.

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Local Los Angeles quartet, Mezzanine Owls, released a brand new digital EP/7″ this week on new start up label JAX Art, the label founded by Rockinsider.

Comparisons to Jesus and the Mary Chain, Ride, and Bright Eyes are being thrown around concerning the band’s amped up sound (in comparison their 2006 full length release), and I fully agree, though maybe I should explain the Bright Eyes reference. Singer Jack Burnside has a similar vocal delivery as Bright Eyes’ Conor Oberst, that teetering on the edge of a breakdown warble, I think it is what gets the girls.

The more I listen to the new self-titled ep, the more I like it, especially the songs “Drift and “Snow Globe”. “Drift” the opening track is a huge anthem that builds and builds until it crescendos at the chorus and then ends, all the time being anchored by Burnside’s melancholy vocals - a juxtaposition that is present in all their songs. My other favorite song, “Snow Globe”, has a heartbreaking verse that is counteracted by it’s uplifting chorus. In fact most Mezzanine Owls songs take you on a rollercoaster ride of emotional ups and downs, usually leaving you on a high note (thanks).

The 4-song EP is available on all the usual digital retailers, though I recommend picking up the limited (500) 7″ that contains “Snow Globe” and “Temporary Health” and comes with a download card for all 4 songs (including “Drift” and “Ghost Ship” the 2 non-7″ tracks).

Mezzanine Owls play The Echo tonight in celebration of the release of the EP/7″ and will be accompanied by Frankel, Eagle and Talon, and The Mae Shi.

Download “Snow Globe” (mp3) from Mezzanine Owls new JAX Art ep/7″.

Mezzanine Owls new 4-song ep is out now, get it from: iTunes | Amazon MP3 | JAX Art

White Demin in LA tonight and tomorrow


Today has been really shitty (read paying lots of money to get car fixed) and I really don’t have the patience to deal with posting up any tracks myself, so instead just grab them from rcrdlbl.com (BMW, enjoy your free ad on IfAN, how about we work out some deal where you give me a car).

White Denim were introduced to me a while back by my Car Stereo (Wars) friend who was kind enough to pass along their ep and forewarned that soon everyone would be jocking these guys. Yep. The EP, Let’s Talk About It is pretty good, especially for the drunken party atmosphere where everyone is looking to fuck and get fucked up (tonight’s show, check).

White Denim have a kind of 60’s pysch-pop hyperkinetic Kinks thing going on. The percussion is all over the place and guitar really loose, but everything is steadied by a strong vocal lead. And it is around those vocals that we can all let out a collective sigh of relief that James Petralli’s vocals have a normal masculine tone, there’s no annoying whiney off-key howls or yelps here.

See White Denim tonight at 6th Street Warehouse (or sometimes known as Dave’s Warehouse), and again tomorrow early (like 8:30pm) at Spaceland when they open for British Sea Power and Colourmusic. I recommend tonight’s show at the warehouse, the atmosphere should be way more tuned towards White Denim’s vibe.

Enter to win a pair of tickets to see Holy Fuck and A Place To Bury Strangers at Spaceland on Saturday March 1st

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Holy Fuck create fucking crazy instrumental electronic-y analog rock (no computers people), A Place To Bury Strangers are loud as fuck, plus locals, In Waves, are opening this motherfucker up.

To enter to win a pair of tickets to see Holy Fuck, A Place To Bury Strangers, and In Waves at Spaceland this Saturday March 1st, just fill out the form below and tell us in the “message” box what swear word you use is too much.

Be aware that the show is 21+ and is in Los Angeles

CONTEST NOW CLOSED

March 1st: Holy Fuck w/A Place To Bury Strangers, In Waves @ Spaceland (1717 Silverlake Blvd) | $10 | 21+




  • Blackstrap - Steal My Horses and Run

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    Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.

    At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.

    ...continue reading »

  • Triclops! - Out Of Africa

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    Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.

    Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.

    ...continue reading »

  • Princeton - Bloomsbury EP

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    Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.

    ...continue reading »

  • Otis Blue: Otis Redding Sings Soul - Collectors Edition

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    Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.

    ...continue reading »

  • The Heavy - Great Vengeance Furious Fire

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    heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…

    Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.

    ...continue reading »

  • The Black Keys - Attack and Release

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    It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.

    ...continue reading »

Upcoming Shows

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    • Don’t You Know?
      Don't You Know?

      Music Download:
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      Company: Luckyhorse Industries (2008-02-26)
    • L.A.
      L.A.

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      Company: Buddyhead Records (2008-02-01)
    • Get It On
      Get It On

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      Company: Cooking Vinyl USA (2007-10-23)
    • White Winter Hymnal
      White Winter Hymnal

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      Company: Sub Pop Records (2008-06-03)
    • Summers And Autumns
      Summers And Autumns

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      Company: Drag City (2008-04-22)

IfAN Elsewhere

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    • Last Night: The Muslims, Crash …
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    • Last Night: The Henry Clay Peo …
      My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L
    • Last Night: Soft Hands, The Yo …
      While at The Prospector last night, some friends and I were discussing how the venue has really been on its game as of late, consistently hosting the best shows Long Beach has to offer. It is pretty much guaranteed that any night of the week you can walk
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