The Datsuns were one of those “The” bands lumped in and swept up in the retro rock craze of 2001 and 2002 that saw bands like The Hives, The White Stripes and The Strokes rocket to stardom. While gaining quite a bit attention in the U.K. and Australia (their largest neighboring continent), The Datsuns never really gained a strong foothold in the U.S., which would explain why their 2006 album, Smoke & Mirrors, (after craze had skidded to a halt) was never released stateside. A real shame actually, because Smoke & Mirrors is the band’s finest release to date.
Check out “System Overload” (mp3) from Smoke & Mirrors which though not released in the U.S., I bet you can pick up at Thursday night’s show.
So this what happens after week at southby, it does every year, totally slammed at work and fighting a nagging cold. Promise to be back next week, been soaking up lots of the new music that has been sent my way over the past couple weeks. Have a good weekend, go to L.A. Record Player #5 at Charlie O’s on Friday.
MAGIC LANTERN “AT THE MOUNTAINS OF MADNESS” at ZERO POINT 01/26/08
I actually bought Bon Iver’s (aka Justin Vernon) For Emma, Forever Ago after only hearing “Skinny Love” and reading what Duke had to say about it (I completely missed it the first time around when it leaked last year), and have found myself completely smitten with it.
Check out “Skinny Love” (mp3) from For Emma, Forever Ago out now on Jagjaguwar.
I meant to catch Bon Iver in Austin last week but alas it wasn’t in the cards, luckily for you and I, Bon Iver will be playing at The Echo with Phosphorescent and I just happen to have a pair of tickets to give away. I’m not sure if the show is sold out or if it is too late to purchase advance tickets (there are none available on Ticketweb), either way there’s a good bet that this show will sell out, so it would be wise to try to win ‘em here.

Torche at Red 7 - Originally uploaded by EAR FARM
Please excuse the dimmed lights around IfAN last week, both Scott and I happened to be down in Austin at SXSW for work, though you wouldn’t have known it, ’cause we didn’t take any pictures or even pull our laptops out of their cases.
Oh well.
Back to our irregularly scheduled posting.

Amazing Reverb Engine hail from the Pomona, my former adopted home for five years while in college, a once small and charming city of the 50’s tucked next to Claremont, that is now a smoggy bed of poverty and abandoned dreams. Okay, maybe it’s not that bad, but let’s just say the city has seen better days.
Amazing Reverb Engine are just a year old and as Dave Segal points out (you just knew Dave was going to write about A.R.E.) “wear their influences pretty obviously on their sleeves”, which for such a young band is common place. But A.R.E. are able to escape such trappings of other young bands that channel My Bloody Valentine, The Jesus and Mary Chain, Sonic Youth, and Slowdrive, by staying true to the format and producing (so far) a scrappy bedroom recorded demo that’s reminiscent of the aforementioned bands early recordings in both sound and technical prowess.
Check out “Want To Tell You” (mp3) from Amazing Reverb Engine’s 3 song demo.
Amazing Reverb Engine play The Prospector (2400 E. Seventh St.) in Long Beach tonight with Sky Parade and Shields | 9pm | 21+ | $5

DukeSpirit6 Originally uploaded by JeremyRyan
Scott and I just barely made it in time to The Echo the other night to see The Duke Spirit who were kicking their set off with “I Do Believe” the hymn sounding intro to their new album Neptune, when we walked in the door. The Echo was completely stuffed for the Brits who were in town for a KCRW performance before heading to Austin for SXSW next week. It was shoulder-to-should with smelly east side hipsters, old men (must be a British thing or the KCRW appearance), and Noel and Liam Gallagher (Scott saw them near the bar, big surprise).
They played pretty much everything from Neptune, and completely nailed all of it. Epic set….’nuff said.
Check out “Lassoo” (mp3) via KEXP’s Song Of The Day archive.
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Stream and Pre-Order the new Muslims 7″

Hey, my friend Matzah (who thinks I am blowing it by not posting very much lately) is putting out a The Muslims 7″ next month on his bedroom label, I Hate Rock N’ Roll. Of the two brand spanking new songs on the 7″, Parasites b/w Walking With Jesus,
are two of the best the band has written to date“Parasites” is one of the best the band has written to date, and “Walking With Jesus” is a Spaceman 3 cover.
Stream Parasites b/w Walking With Jesus and pre-order now
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Tickets for Tee Pee Records 2nd Annual ‘Manifest Destiny’ are on sale now

An excellent lineup that shouldn’t be missed…
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Crystal Antlers sign to Touch and Go Records
Not to sound like a claimer, but ah fuck it, I’ve been singing the praises of this band since April last year and have continued to ever since…so I am very stoked for them, it couldn’t have happened to a nicer and harder working bunch. Here’s what Touch And Go has to say about signing the band:
HOT NEWS: Crystal Antlers sign to Touch and Go Records
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YouLicense.com has the right idea, now its time to build a secure site
Now that YouLicense has some money, maybe they can afford to pay someone to make it so the mp3s uploaded to their site by artists looking to license their songs aren’t easily downloadable by just viewing the source code and finding the path to mp3 files.
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Blackstrap - Steal My Horses and Run

Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.
At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.
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Triclops! - Out Of Africa

Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.
Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.
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Princeton - Bloomsbury EP

Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.
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Otis Blue: Otis Redding Sings Soul - Collectors Edition

Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.
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IfAN Elsewhere
- TRUST AND LOVE | TIJUANA KNIFE …
Where in Long Beach is your band most likely to be found when you aren’t playing a show? Dan Cady (vocals): Alex’s Bar or the Pike—Alex was our original bass player so we just hang out there. It’s just kind of home base for us. And the Pike becau - Last Night: The Muslims, Crash …
This is cool: UCI student, Sam Farzin, has started to put on music shows at the UC Irvine’s The Phoenix Grille, one of the campus’ dining spots. Located in what one of the members of Wounded Lion described as “the anus” of UCI (you have to twist a - Last Night: The Henry Clay Peo …
My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L - Last Night: Soft Hands, The Yo …
While at The Prospector last night, some friends and I were discussing how the venue has really been on its game as of late, consistently hosting the best shows Long Beach has to offer. It is pretty much guaranteed that any night of the week you can walk - Last Night: Baroness and The R …
Ahh, the Showcase Theatre. I hadn't been there in almost seven years. The Showcase was the club that I started going to shows at when I was in high school, back then they had all the best punk rock acts that were coming through town, unlike today. These d
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