Inflight At Night

LA / LBC / OC

The Old Haunts in Los Angeles

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I had the intention of getting something up on Olympia, WA’s The Old Haunts before their show last night in San Pedro at The Attic (upstairs of La Conga), but spent way more time at the Los Angeles Times Festival of Books than I expected. No matter, as there are still two opportunities to see The Old Haunts in Los Angeles this week - tonight at The Echo with The Teenagers and on Monday at The Smell.

The Old Haunts are Craig Extine (vocals and guitar), Scott Seckington (bass) and Tobi Vail (drums) who formerly drummed for Bikini Kill and is the latest edition to the band. Having just released their 3rd full length, Poisonous Times, on the Kill Rock Stars label, The Old Haunts are currently in the first week of their month long US tour in support of their new release. In the tradition of other former Pacific Northwest stalwarts - Dead Moon, The Sonics and The Wipers - The Old Haunts with the release of Poisonous Times, maintain their under-produced quirky-spirited janglely garage rock of their prior releases.

Check out the first track off Poisonous Times, called “Volatile” (mp3).

Poisonous Times is out now, get it from: Insound CD (MP3) | Amazon CD (MP3) | eMusic

Fatigue has set in

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Fatigue has set in. Between long hours at the day job, starting to run again in the mornings (my usual posting time), staying local as gas prices rise, and the general lack of interest in what the Los Angeles music scene has generated lately, have all led to April becoming a bust around IfAN (5 pathetic posts). For those few readers who come here daily, we’ll be back up and running on a normal posting schedule soon and with a new look (I’m tired of this design).

In the mean time, I did do a quick write up on The Muslims show at the Phoenix Grill at UCI the other night over on Heard Mentality. The Muslims blogger buzz has been snowballing lately, though we here at IfAN have been into the band for some time, and can’t wait for all those now lauding the band to see them live on their tour with The Night Marchers. If you haven’t checked out The Muslims yet, you can download a bunch of tracks from their MySpace and you can see them at Alex’s Bar this Sunday with Long Beach’s Tijuana Panthers.

The Heavy - Great Vengeance Furious Fire

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heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…

Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.

The songs on Vengeance range from the crackling lo-fi, slow trip, blood-in blood-out variety (“Brukpocket’s Lament”, “Who Needs the Sunshine”), to red light, 3am, freak nasty party jams (“Colleen”), to the top-down, hot pursuit, supercharged single “That Kind of Man”. An homage to blacksploitation films and the music that accompanied and often outshined them, it’s as if The Heavy created the soundtrack to their own film that’s never been made. There are outrageous, cheeky, rough and raw moments strung throughout the album, and like any great work, Vengeance is unapologetic and uninhibited. …continue reading »

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Saturday, April 19th: Fingerprints in-store events in honor of National Record Store Day

4:00pm - Rob Halford (Signing)
6:30pm - Limbeck (Acoustic Performance)
8:00pm - Silversun Pickups (Acoustic Performance)

Wristbands are required for the Acoustic Performances and are free and available to music club members (???) beginning at 11:00am on Friday (in person or on the phone) or to anyone who comes by Saturday morning (I recommend getting there on the early side for the SSPU wristbands).

Also, Fingerprints has a bunch of exclusive 7″ vinyl on sale as well, including stuff from R.E.M., Black Keys, Stephen Malkmus, Built To Spill, plus more.

(((Eagle Winged Palace)))

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They sure look the part, don’t they? Yeah, I was about ready to write this off too, but then (((eagle winged palace))) lulled me into such a sense of utter calm with their new song “Hand Of Doom” that I couldn’t summon the will to rip on their outfits.

Check them out tomorrow night at Boardners for Radio Free Silver Lakes’s Let’s Independent with Minor Canon and Luke Top.

Download “Hand Of Doom” (mp3)

Tuesday, April 15th: (((eagle winged palace))) @ Boardners - 1652 N Cherokee Ave.

Record Store Day 4/19 - Mark Your Calendars

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“I’ve always enjoyed the record shops…they gave me a reason to leave my house.”
- Pete Yorn

Amen Petey.

This is the kind of holiday we hoped for as kids (still do).

R.E.M., Built to Spill, The Black Keys, Death Cab for Cutie and others are releasing limited 7″ singles with new or unreleased songs in honor of Record Store Day.
Check out more details HERE and go thumb through the bins a week from Saturday.

These Amon Duul debating, Cheeto eating, mono/1st press craving ecosystems support more people and their families than most of us know…

Below are some of our local favorites who are participating; you’ll find the full listing HERE.

- - - - - - - - - - - - - - - - - - - -

Fingerprints
4612 E 2nd St
Long Beach, CA 90803
(562) 433-4996

Rockaway Records
2395 Glendale Blvd
Los Angeles, CA 90039
(323) 664-3232

Lou’s Records
434 N Coast Highway 101
Encinitas, CA 92024
(760) 753-1382




  • Blackstrap - Steal My Horses and Run

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    Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.

    At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.

    ...continue reading »

  • Triclops! - Out Of Africa

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    Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.

    Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.

    ...continue reading »

  • Princeton - Bloomsbury EP

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    Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.

    ...continue reading »

  • Otis Blue: Otis Redding Sings Soul - Collectors Edition

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    Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.

    ...continue reading »

  • The Heavy - Great Vengeance Furious Fire

    theheavy.jpg

    heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…

    Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.

    ...continue reading »

  • The Black Keys - Attack and Release

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    It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.

    ...continue reading »

Upcoming Shows

IfAN on blip.fm

    • Don’t You Know?
      Don't You Know?

      Music Download:
      Artist:
      Company: Luckyhorse Industries (2008-02-26)
    • L.A.
      L.A.

      Music Download:
      Artist:
      Company: Buddyhead Records (2008-02-01)
    • Get It On
      Get It On

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      Company: Cooking Vinyl USA (2007-10-23)
    • White Winter Hymnal
      White Winter Hymnal

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      Company: Sub Pop Records (2008-06-03)
    • Summers And Autumns
      Summers And Autumns

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      Company: Drag City (2008-04-22)

IfAN Elsewhere

    • TRUST AND LOVE | TIJUANA KNIFE …
      Where in Long Beach is your band most likely to be found when you aren’t playing a show? Dan Cady (vocals): Alex’s Bar or the Pike—Alex was our original bass player so we just hang out there. It’s just kind of home base for us. And the Pike becau
    • Last Night: The Muslims, Crash …
      This is cool: UCI student, Sam Farzin, has started to put on music shows at the UC Irvine’s The Phoenix Grille, one of the campus’ dining spots. Located in what one of the members of Wounded Lion described as “the anus” of UCI (you have to twist a
    • Last Night: The Henry Clay Peo …
      My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L
    • Last Night: Soft Hands, The Yo …
      While at The Prospector last night, some friends and I were discussing how the venue has really been on its game as of late, consistently hosting the best shows Long Beach has to offer. It is pretty much guaranteed that any night of the week you can walk
    • Last Night: Baroness and The R …
      Ahh, the Showcase Theatre. I hadn't been there in almost seven years. The Showcase was the club that I started going to shows at when I was in high school, back then they had all the best punk rock acts that were coming through town, unlike today. These d
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