Buy local at a farmers market. Plus we’ve heard it’s a good place to meet girls, especially at the Southeast Farmers’ Market on Sundays.
Thursday: 3:00 PM - 6:30 PM: Uptown Certified Farmers’ Market (46th Street and Atlantic Avenue)
Friday: 10:00 AM - 4:00 PM Downtown Farmers’ Market (CityPlace Center, at Promenade N. and E. 4th Street)
Sunday: 9:00 AM - 2:00 PM: Southeast Farmers’ Market (Alamitos Bay Marina: E. Marina Dr. south of E. 2nd St.)

On Saturday night on our way to Alex’s Bar for the Harley Davidson Nightster party, AATW and I stopped at The Pike for a quick bite. The Pike is the quintessential down home Long Beach bar and restaurant, it exudes “local bar around the corner” qualities in friendly service, good music, nice beer selection and best of all, the wonderful food that surpasses anything you would expect of typical pub fair.
Initially attracted to the restaurant for their excellent fish and chips (rated #1 in the Press Telegram), the best I have ever had and always order, I decided to deviate from that course in search of a lighter meal that night, leading me to the lobster tacos. The dish is 2 tacos with Maine lobster, topped with a cilantro and cabbage combination, lime creama, cheese, and garnished with a nice chipotle paste that complemented the lime creama very nicely when applied to the tacos. On the side was a generous helping of vegetable rice that was really good.
Listen, next time you find yourself in Long Beach, especially if you are heading down our way for a show, get here early and eat at The Pike. Everything I, AATW, and anyone else I have ever brought there have had, has been delicious.
Music Connection: The Pike is owned by Chris Reese, former drummer for Social Distortion.
The Pike Bar & Grill: 1836 East 4th St., Long Beach, CA 90802 | Ph: (562) 437-4453

First a little background. Originally opened in 1923, Sam’s Seafood was just a regular seafood restaurant until is was given a Polynesian makeover (photos here) in the 60’s launching it in worldwide tiki lore. Over the next 40 years Sam’s continued on as a main stay of Sunset Beach, though it is noted that in the late 80’s and 90’s Sam’s had gone downhill becoming run down and feeling like nothing more than a shitty Ihop. Then in 2006 Sam’s Seafood closed and was to be torn down and it’s land turned into retail space and condos. But due to permit and zoning complications, the owner who sought to tear down Sam’s sold it to a local restauranter (Tsunami Sushi, just down the street), who began a year long renovation of the restaurant. Currently the front dining rooms, the bar, patio, and a dance floor are now open for business.
Given that I have been driving by Sam’s for almost 3 years now to and from work every day, when me and the Almost Wife saw that Sam’s was being restored we eagerly awaited it’s re-opening. On Saturday night we decided to give it a go and though we had built up the restaurant in our heads pretty good by then, Sam’s did a decent job living up to our expectations. We made reservations for 7pm (reservations are recommended) and got there and were seated right away, leaving us no time to adequately check out the bar.
Sam’s menu is pretty small with about 4 or 5 seafood dishes (Salmon, Halibut, Jumbo Shrimp, and Ahi), and at least one or two pork, beef, and chicken dishes (hey we’re Pescetarians so we didn’t pay much attention to those other dishes). They had quite a few appetizers (note; for this week at least, mention to the OC Weekly to your server when ordering an appetizer to get it for free), we had the Ahi Tacos…they were delicious.
For our entres, I had the seared Ahi garnished noodles, cherry tomatos, and cucumber, while AW had the Halibut with mashed potatoes (she liked her’s but was a little disappointed with the mashed potatoes, she said they needed something more). My dish, the Ahi, was good but not great. Temperature seemed to be the issue of the night. The Ahi was not quite hot enough (a tad above room temp) and the noodles were either not cold enough or not hot enough (I’m not sure what the chef was going for). Though I must say the noodles with the Ahi was quite a good combination regardless of temperature, one I haven’t had before. Here is a pic I didn’t take of the Ahi dish.
For desert, yes AW loves desert so we always at the very least contemplate the desert menu, we had the Saskatoon Berry pie, and here is where temperature problems struck again. The pie was not cooked long enough, the crust was sloggy and the inside was barely warmed through, plus the Saskatoon Berry is not that flavorful. Note to owner if you read this, drop this item from the menu.
Prices range from $22 - $28 for entres and $8 - $10 for appetizers. I don’t remember how much drinks were, I had two hefeweizens, but I don’t think they were on the cheap side.
Anyways, overall we were pretty satisfied with our meal and can excuse some of meal’s faults due to the restaurant re-opening only a week ago.
Music connection: 311 shot their music video for “Love Song” at Sam’s in February 2004 (source Music Video Wire).
Sam’s Seafood: 16278 South Pacific Coast Hwy, Huntington Beach, CA 92649 | Ph: 562.592.1321
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Blackstrap - Steal My Horses and Run

Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.
At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.
...continue reading » -
Triclops! - Out Of Africa

Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.
Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.
...continue reading » -
Princeton - Bloomsbury EP

Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.
...continue reading » -
Otis Blue: Otis Redding Sings Soul - Collectors Edition

Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.
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The Heavy - Great Vengeance Furious Fire

heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…
Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.
...continue reading » -
The Black Keys - Attack and Release

It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.
...continue reading »
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Where in Long Beach is your band most likely to be found when you aren’t playing a show? Dan Cady (vocals): Alex’s Bar or the Pike—Alex was our original bass player so we just hang out there. It’s just kind of home base for us. And the Pike becau - Last Night: The Muslims, Crash …
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