Inflight At Night

LA / LBC / OC

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I downloaded the new Jubilee single, In With The Out Crowd, yesterday morning before I went for a run based upon a tweet (Twitter message) from Travis Keller alerting his “followers” that the new single was up online and available to download through the band’s Topspin powered app.

I knew for a while the new single was coming (as is a full length), but found out its release was getting close last week when Topspin’s CEO Ian Rogers twittered that he was skating to and from the office listening to the new tracks.

What’s the point of these arbitrary Twitter/Jubilee details? Just the continued reinforcement that fans are using various web2.0socialnetworkingcommunity communication tools to share information about their interests. And that if you are a band or brand, you need to make your information available in many formats, so people can receive your message through their preferred medium. Personally I only check my MySpace every other day or so, Facebook once a week, but Twitter and email I am on all day.

For more info about Jubilee, check out what I wrote about the group back in February when they released their first single, Rebel Hiss, using Topsin, back when the company was still in “stealth mode”. Topspin out of stealth mode now, offers (in my opinion) some of the most consumer/user friendly downloading tools for bands. Jubilee, the Los Angeles based band, who still seem to be in “stealth mode” to us in the U.S. - having yet to play a show here - are set to play the Reading and Leeds UK festivals next month.

Budos Band and Fools Gold tonight at The Getty

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You can bet that if Scott and I weren’t both heading to the wedding of a close friend we grew up across the street from, we would be at the Getty this evening for the second installment of their Summer Sessions concert series tonight, featuring the white boy soul funk of Stanton Island, NY’s Budos Bands and Los Angeles’ afro-pop jammers, Fools Gold.

Check out Scott’s review of Budos Band’s sophomore album, simply titled The Budos Band II, released last year, which both he and I highly recommend picking up.

MP3: Budos Band - Chicago Falcon

Fools Gold are scheduled to open for Darker My Love (whose show last night was very good) next Friday at The Echo, though Fools Gold don’t have the show listed on their myspace page, which makes me a little suspicious as to whether or not they are still playing. If anyone knows, drop me a comment.

Sample: Fools Gold - Surprise Hotel

Budos Band & Fools Gold at The Getty Center (Museum Courtyard and Garden Terrace) TONIGHT 6pm | Free | All Ages

Helms Alee at Relax Bar tomorrow night

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I don’t know if Hydra Head moved their offices next to the Relax Bar or what, but there has been a influx of their artists playing the bar lately (Torche & Clouds a couple weeks back and Harvey Milk next week), with Helms Alee being the next who will grace the bar’s tiny stage.

When it comes to Helms Alee, Brian Cook says it best when he asks, “Where’s the hip haircuts? Where’s the telling modern design elements? Without these digestible icons, their poor audience might actually have to develop their own opinions and judge the band on the merits of the sounds they create, not the lexicon they endorse“, only then to surmise, “Such factors guarantee that Helms Alee is destined to be unloved by the masses and revered by a small chosen few”.

Truer words couldn’t be spoken.

Helms Alee (the name has something to do with bringing the bow of a sea vessel into the wind) is Ben Verellen (Harkonen, These Arms Are Snakes, and Roy), Dana James (Your Enemies Friends) and Hozoji Matheson-Margullis (Lozen), who will release their debut - Matt Bayles produced - full length album Night Terror on Hydra Head Records on August 5th.

MP3: Helms Alee - Truly

Helms Alee w/Secret Fun Club, Queen Kwong, valentineomb, Room 101 @ Relax Bar (5511 Hollywood Blvd) this Saturday (7/19) | 8pm | 21+ | $10

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I don’t know Virgil from Suburban Home/Vinyl Collective, but I feel like I do. If you are not aware of the Vinyl Collective, it is a both a vinyl only label and mail order vinyl distributor run by Virgil of Suburban Home Records, who even before the popularity of blogging took off has been more than open with his label’s customers when it comes to the goings on of the label. Even the stuff that is not so fun to broadcast to the world- see here, here and here. But what began with open letters regarding his label’s checkered financial history has given way to the Vinyl Collective blog where Virgil is more than open about all goings on of his new venture into vinyl, including both the fun and the frustrating parts of running the business.

Much has been made over blogging CEOs - mostly at the corporate level - in the last couple of years and how important it is for their business and the transparency its represents to both their brand’s consumers and employees alike. For Virgil and Vinyl Collective I believe that it is not only his impeccable timing in focusing on the vinyl distribution and mail order business, but the transparency of his blogging that has been paramount to the success of the Vinyl Collective. Take a scroll through the blog and between restock updates are pictures of newly arrived LPs taken out of their packaging for people to see what the vinyl color and gatefold art looks like, and Virgil’s open and honest thoughts on the VC’s successes and missteps. It all makes for a compelling read and it makes so that one can’t help but want to support Virgil, Vinyl Collective and the artists he distributes.

So here’s a tip to bands and labels who just got their new pressing of their ultra deluxe colored vinyl of their new album, take a damn picture of it, ALL OF IT, gatefold, insert and the vinyl itself, and post it up for your fans to see.

Harvey Milk coming to Relax Bar July 26th

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So everyone seems to be losing their collective shit over Harvey Milk’s new album, Life…The Best Game In Town, and rightfully so.

It fucking crushes!

Hit up Pitchfork to grab the opening track, “Death Goes to the Winner” that deceptively opens with a gentle Christmas ode before transforming into a pummeling slug stomp that reassembles The Velvet Underground’s “Waiting for My Man” and The Beatles “A Day in the Life”.

Stream Life…The Best Game In Town in its entirety here and pay special attention to track seven, “Motown”. Why? Cause it’s my favorite track on the album. That’s why.

Harvey Milk play Relax Bar (5511 Hollywood Blvd) on Saturday July 26

iTunes | Amazon | Insound

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Whew! It’s been a while since I graced this page, sorry, I’m sure traffic here has slowed to a crawl. But I’m cool with that.

What you should be cool with, is the fine new tuneage from LA’s Golden Animals who released their new album Free Your Mind And Win A Pony digitally yesterday (CD & LP coming 8/25) and are set to play the Knitting Factory tomorrow (Thursday) with The Union Line. It’s been quite sometime since I last saw Golden Animals play, but they impressed me then and I’m sure they have only gotten better.

You can stream Free Your Mind And Win A Pony here and you can pick up the permanent files from iTunes.

MP3: Golden Animals - Try On Me

Golden Animals also play the Silverlake Lounge on July 28th with ((sounder)) and Princeton…that’s the show I will be at.


  • Blackstrap - Steal My Horses and Run

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    Initially released in Europe in October 2006, Blackstrap’s second full length, Steal My Horses and Run, is finally seeing it’s official release in the U.S. via New York’s Tee Pee Records.

    At first pass it would be easy to write off Steal My Horses and Run as just another retread of the JAMC and My Bloody Valentine catalogs, that is if it weren’t so well executed and/or if you weren’t able to make to the last quarter of the album where the band really opens things up with some more diversified song writing. Coming across much the same as Black Rebel Motorcycle Club did on their first album, Blackstrap wear their influences (Velvet Underground, My Bloody Valentine, Neu!, The Jesus and Mary Chain, Stereolab and Suicide) on their sleeve, writing songs that would fit on any of the aforementioned bands’ albums, only with much better production.

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  • Triclops! - Out Of Africa

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    Made up of former and current members of Bottles and Skulls, Fleshies, Lower Forty-Eight and a drummer who is in too many other bands to list, San Francisco’s Triclops! are a veritable hybrid of the Bay Area underground punk/hardcore scene.

    Triclops!’s “trademark” are their vocals, which for about half of Out Of Africa are run through broken solid state amps with a phaser explosion - achieving a sound that I can only describe as how the Mars Volta’s Cedric Bixler-Zavala would sound singing underwater. While slightly off-putting on first listen, the phasered vocals effects - delievered by Fleshies’ Johnny - become pretty aurally addictive over the course of the album, so much so that when the effect is not being used, I found myself anxiously awaiting it’s return.

    ...continue reading »

  • Princeton - Bloomsbury EP

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    Yes, basing songs upon classic literary works and-or their creators at first always seems pretentious, even ColinMeloyian, but hey, if it was good enough for the likes of Iron Maiden and David Axelrod who are we to disagree. Enter Bloomsbury, the new 4-song EP from Eagle Rock, CA’s own shaggy academes turned shaggy indie rockers, Princeton. All glib - borderline sarcastic introductions aside, Bloomsbury is well put together and accessible, surprisingly so when you consider the lyrical focus on early 20th century London intellectuals and the long list of instrumentation.

    ...continue reading »

  • Otis Blue: Otis Redding Sings Soul - Collectors Edition

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    Otis Blue: Otis Redding Sings Soul is arguably one of Redding’s best albums, if not one of soul music’s best. It presents a cohesion beyond the usual collection of singles and b-sides common of the time, and it also set the stage for what would become his most recognizable and influential yet ultimately tragic song, “(Sittin’ On) The Dock of the Bay”. In many ways Otis Blue is the last Otis Redding album, not technically as there’s his duet album with Carla Thomas and the posthumous Dock of The Bay, but in terms of an album that’s Otis through and through, not to mention proof of what could have been to come from the young Georgian, this is the one.

    ...continue reading »

  • The Heavy - Great Vengeance Furious Fire

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    heav·y; Of great intensity, Having great power or force, Indulging to a great degree, Of great significance or profundity…

    Not since the The Clash has a band’s name been as succinct and appropriate as The Heavy. These four guys and one gal hailing from the town of Bath (UK) have an arsenal of sweet baadasssss songs that transport you back to a time when blow was big, hair was bigger and Dracula was black. However you slice, dice, cut or sort it, their album Great Vengeance and Furious Fire, released in the UK last year and here in the states just a few weeks ago, is one goddamn heavy piece of work.

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  • The Black Keys - Attack and Release

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    It can be an all-too-common occurrence for those whose musical tastes extend beyond, or completely avoid, commercial radio, that a band who one champions as underappreciated gets the recognition they deserve… but for the wrong album! And then subsequently tours ad nauseam until releasing another album to a fickle public who may or may not care anymore. Too many examples spring to mind, but my elitist and ultimately meaningless point is that while I was worried the same fate laid waiting for The Black Keys with 2006’s Magic Potion, I was thankfully wrong. It’s not that MP wasn’t a good album, it just wasn’t the album (see; Rubber Factory), but now with their latest release I can rest calmly with the assurance that The Black Keys’ (Dan Auerbach and Patrick Carney) upward trajectory is analogous with the mastery that is Attack and Release.

    ...continue reading »

Upcoming Shows

IfAN on blip.fm

    • Don’t You Know?
      Don't You Know?

      Music Download:
      Artist:
      Company: Luckyhorse Industries (2008-02-26)
    • L.A.
      L.A.

      Music Download:
      Artist:
      Company: Buddyhead Records (2008-02-01)
    • Get It On
      Get It On

      Music Download:
      Artist:
      Company: Cooking Vinyl USA (2007-10-23)
    • White Winter Hymnal
      White Winter Hymnal

      Music Download:
      Artist:
      Company: Sub Pop Records (2008-06-03)
    • Summers And Autumns
      Summers And Autumns

      Music Download:
      Artist:
      Company: Drag City (2008-04-22)

IfAN Elsewhere

    • TRUST AND LOVE | TIJUANA KNIFE …
      Where in Long Beach is your band most likely to be found when you aren’t playing a show? Dan Cady (vocals): Alex’s Bar or the Pike—Alex was our original bass player so we just hang out there. It’s just kind of home base for us. And the Pike becau
    • Last Night: The Muslims, Crash …
      This is cool: UCI student, Sam Farzin, has started to put on music shows at the UC Irvine’s The Phoenix Grille, one of the campus’ dining spots. Located in what one of the members of Wounded Lion described as “the anus” of UCI (you have to twist a
    • Last Night: The Henry Clay Peo …
      My apologies to The Year Zero, whose set I missed due The Paper Planes getting a late start at The Puka Bar. I heard your performance was drenched in sonic goodness and that The Henry Clays are jealous of your harmonizing capabilities. I arrived just as L
    • Last Night: Soft Hands, The Yo …
      While at The Prospector last night, some friends and I were discussing how the venue has really been on its game as of late, consistently hosting the best shows Long Beach has to offer. It is pretty much guaranteed that any night of the week you can walk
    • Last Night: Baroness and The R …
      Ahh, the Showcase Theatre. I hadn't been there in almost seven years. The Showcase was the club that I started going to shows at when I was in high school, back then they had all the best punk rock acts that were coming through town, unlike today. These d
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